Joe Spinell
11 Films
Joe Spinell
11 Included Films
Joe Spinell was born Joseph J. Spagnuolo in Manhattan, New York of Italian immigrant parents, and the last of six children. His father, Pelegrino Spagnuolo (b. 1892, d. 1950), died from liver and kidney disease. His mother Filomena Spagnuolo (b. 1903, d. 1987) was a bit-part actress who acted in a few movies, some of them alongside her son. Spinell stood 5 foot and 11 inches. He was born at his family's apartment in Manhattan's Little Italy on 2nd Avenue in Manhattan. A few years after the death of his father, he moved with his mother and older siblings to Woodside, Queens, New York where he lived off-and-on for the remainder of his life. Spinell suffered most of his life from hemophilia as well as chronic asthma. Because of his large, heavyset frame and imposing looks, Spinell was often cast as criminals, thugs, or corrupt police officers. His most notable roles were as mafioso Willi Cicci in The Godfather and The Godfather Part II, and as loan shark Tony Gazzo in Rocky and Rocky II. Although primarily known as a character actor, Spinell co-wrote and starred as a serial killer in the 1980 film, Maniac. Joe Spinell died in his apartment on January 13, 1989 at the age of 52. The cause of his untimely death is arguable to this day. Some say that his death was caused by sudden heart attack due to heavy drug use, drinking and emotional distress in light of his mother passing away two years earlier. It is also speculated that he may have died from asthma complications, or bled to death from hemophilia related causes. He was planning a sequel to Maniac before his death. He was buried in Calvary Cemetery, Queens near his home. He is the distant cousin of the American football team St. Louis Ram's Head Coach Steve Spagnuolo. Spinell was married to adult film star Jean Jennings from February 1977 to July 1979. Together they had one daughter, but they eventually divorced.
Director: Francis Ford Coppola
The Paramount 4K "restoration" is a desecration. It has completely revisionist color timing, harsh HDR, treatment of stock footage, bad encoding, selective DNR and grain management so bad that the entire screen frequently freezes up with only characters moving around in grain soup. It is so bad that the film's restorer Robert Harris publicly washed his hands of it saying essentially the 2007 restoration (with Willis and Coppola supervising) is how the film was intended and made. This is Paramount's modern version done their way. The new 1080p SDR Blu-rays in print are the crap 4K desecration master with the same problems still there just harder to spot and with crap encodes.
The mono option is an unnecessarily processed version of the lossy mono from the 2008 Blu-ray. The 2008 Blu-ray of the 2007 Coppola Restoration while an imperfect outdated disc is LIGHT YEARS better than this 4K desecration. The only truly major issue is that it is very slightly redder than the 2007 finished master as seen on DCPs. The lossy mono on the 2008 Blu-ray is the best version of the original mix known to exist as it is better than the late 80's mastering for VHS and LaserDisc.
DFIC review of the hideous crap 4K Blu-rays: https://youtu.be/0uw6-Kcy_UA?si=ob1nDg0wTCvemjH0
Director: Francis Ford Coppola
The Paramount 4K "restoration" is a desecration. It has completely revisionist color timing, harsh HDR, treatment of stock footage, bad encoding, selective DNR and grain management so bad that the entire screen frequently freezes up with only characters moving around in grain soup. It is so bad that the film's restorer Robert Harris publicly washed his hands of it saying essentially the 2007 restoration (with Willis and Coppola supervising) is how the film was intended and made. This is Paramount's modern version done their way. The new 1080p SDR Blu-rays in print are the crap 4K desecration master with the same problems still there just harder to spot and with crap encodes.
The mono option is an unnecessarily processed version of the lossy mono from the 2008 Blu-ray. The 2008 Blu-ray of the 2007 Coppola Restoration while an imperfect outdated disc is LIGHT YEARS better than this 4K desecration. The only truly major issue is that it is very slightly redder than the 2007 finished master as seen on DCPs. The lossy mono on the 2008 Blu-ray is the best version of the original mix known to exist as it is better than the late 80's mastering for VHS and LaserDisc.
DFIC review of the hideous crap 4K Blu-rays: https://youtu.be/0uw6-Kcy_UA?si=ob1nDg0wTCvemjH0
The Paramount 4K "restoration" is a desecration. It has completely revisionist color timing, harsh HDR, treatment of stock footage, bad encoding, selective DNR and grain management so bad that the entire screen frequently freezes up with only characters moving around in grain soup. It is so bad that the film's restorer Robert Harris publicly washed his hands of it saying essentially the 2007 restoration (with Willis and Coppola supervising) is how the film was intended and made. This is Paramount's modern version done their way. The new 1080p SDR Blu-rays in print are the crap 4K desecration master with the same problems still there just harder to spot and with crap encodes. Part II overall fares better than the first film but it has all the same problems. Randomly some shots are the worst in the trilogy looks mushy and manipulated to death.
The mono option is an unnecessarily processed version of the lossy mono from the 2008 Blu-ray. The 2008 Blu-ray of the 2007 Coppola Restoration while an imperfect outdated disc is LIGHT YEARS better than this 4K desecration. The only truly major issue is that it is very slightly redder than the 2007 finished master as seen on DCPs. The lossy mono on the 2008 Blu-ray is the best version of the original mix known to exist as it is better than the late 80's mastering for VHS and LaserDisc.
DFIC review of the hideous crap 4K Blu-rays: https://youtu.be/0uw6-Kcy_UA?si=ob1nDg0wTCvemjH0
The Paramount 4K "restoration" is a desecration. It has completely revisionist color timing, harsh HDR, treatment of stock footage, bad encoding, selective DNR and grain management so bad that the entire screen frequently freezes up with only characters moving around in grain soup. It is so bad that the film's restorer Robert Harris publicly washed his hands of it saying essentially the 2007 restoration (with Willis and Coppola supervising) is how the film was intended and made. This is Paramount's modern version done their way. The new 1080p SDR Blu-rays in print are the crap 4K desecration master with the same problems still there just harder to spot and with crap encodes. Part II overall fares better than the first film but it has all the same problems. Randomly some shots are the worst in the trilogy looks mushy and manipulated to death.
The mono option is an unnecessarily processed version of the lossy mono from the 2008 Blu-ray. The 2008 Blu-ray of the 2007 Coppola Restoration while an imperfect outdated disc is LIGHT YEARS better than this 4K desecration. The only truly major issue is that it is very slightly redder than the 2007 finished master as seen on DCPs. The lossy mono on the 2008 Blu-ray is the best version of the original mix known to exist as it is better than the late 80's mastering for VHS and LaserDisc.
DFIC review of the hideous crap 4K Blu-rays: https://youtu.be/0uw6-Kcy_UA?si=ob1nDg0wTCvemjH0
Director: Martin Scorsese
2024 Sony 4K Blu-ray
2024 Sony 4K Blu-ray Steelbook fixes duplicate shot from Columbia Classics 4K Blu-ray
Director: Martin Scorsese
2024 Sony 4K Blu-ray
2024 Sony 4K Blu-ray Steelbook fixes duplicate shot from Columbia Classics 4K Blu-ray
Director: John G. Avildsen
WB 4K Blu-ray (replacement disc)
WB 4K Blu-ray (replacement disc)
Director: John G. Avildsen
WB 4K Blu-ray (replacement disc)
WB 4K Blu-ray (replacement disc)
Director: William Friedkin
Criterion 4K Blu-ray. See Chris's review
Director: William Friedkin
Criterion 4K Blu-ray. See Chris's review
Director: John Milius
Director: John Milius
Director: Sylvester Stallone
MGM 4K Blu-ray boxet
MGM 4K Blu-ray boxet
Director: Sylvester Stallone
MGM 4K Blu-ray boxet
MGM 4K Blu-ray boxet
Director: William Friedkin
Director: William Friedkin
Director: William Lustig
Director: William Lustig
Director: Ron Howard
Director: Ron Howard
Director: Jonathan Demme
11 films